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The（） stick on the envelope says “By Air”.

The twentieth century has witnessed an enormous worldwide political, economic and cultural（）.

（）energy under the earth must be released in one form or another, for example, an earthquake.

There is no（） to the house from the main road.

Eye contact is important because wrong contact may create a communication（）.

In the Chinese household, grandparents and other relatives play （） roles in raising children.

There was a big hole in the road which（） the traffic.

He is quite sure that it’s（） impossible for him to fulfill the task within two days.

The soldier was（） of running away when the enemy attacked.

The newspaper did not mention the（） of the damage caused by the fire.

The government is trying to do something to（） better understanding between the two countries.

The old couple decided to（） a boy and a girl though they had three of their own.

He's watching TV? He's（） to be cleaning his room.

I hate people who（） the end of a film that you haven't seen before.

Housewives who do not go out to work feel they are not working to their full（）.

Every man in this country has the right to live where he wants to（） the color of his skin.

In general, the amount that a student spends for housing should be up to one-fifth the total （） for living expenses.

Directions: For this part, you are required to write a composition on the topic “Chinese Culture's Going Out” You should write at least 160 words and you should base your composition on the outline(in Chinese) below:1.中国文化为什么要走出去；2.中国文化怎样走出去。

Directions: Translate the following passage into English. Write your translation on the Answer Sheet.中国人的住宅从前中国人在盖房子的时候，都要先请人看风水，看似迷信，也并非没有道理。按照中国人的想法，任何建筑物都不应该破坏大自然的和谐，而且要让建筑物和大自然融为一体。住在这种房子里的人，会觉得自己不是关在笼子里，而是生活在宁静的大自然里面。所以，中国人盖房子，通常都坐北朝南，以便接受冬天的阳光和夏日的清风。这种房子冬暖夏凉，住在里面非常舒服。

Directions: Translate the following five underlined sentences into Chinese. Write your translation on the Answer Sheet.1.Chinese dealers，collectors and art lovers have been out in force at Christie’s, which is auctioning the art collection of Robert Hatfield Ellsworth in five days of sales that begin on Tuesday, with a week of online sales to follow. Ellsworth，a revered connoisseur who died last year, amassed one of the finest private collections of Asian art in the West, and the presale estimates total $35 million. Jin Zhao, who collects Tang and Song dynasty porcelain in a small way, flew in from Tianjin, China, hoping to pick up one or two pieces. “It's worth it,” he said “This is a very great collection.”The Ellsworth sale puts a giant exclamation point on Asia Week, an annual event that makes New York the prime destination for dealers, museum curators, scholars and collectors from around the world, a varied group that included sharp-eyed young collectors in down jackets and jeans, middle-aged dealers hunting their quarry in small packs, tweedy connoisseurs and Chinese women dressed up to Ming vase standards.2. “It is the largest group of Asian art on the face of the earth/’ said Jav Xu, director of theAsian Art Museum in San Francisco, who is leading a team of about two dozen curators, board members, collectors and donors to New York for an excited round of looking, meeting, greeting,publicizing and acquiring. “It is very rich.”Mr. Xu was referring to the week's events: the exhibits, often museum quality, at the more than 40 dealers who participate in Asia Week; the shows and lectures at institutions like Asia Society and the Japan Society; the two dozen auctions of Asian art at Sotheby's, Christie’s， Bonhams and Doyle; and benefit parties like the one at the Metropolitan Museum of Art to celebrate the centenary of its Asian art department.Less than 10 years ago, the market for Asian art in New York looked quite different. 3.The International Asian Art Fair, held for many years at the Park Avenue Armory, went bust at the end of 2008, a victim of the economic downturn.4.Ms. Mirviss and the Korean art dealer Jiyoung Koo hastily organized an association of 16 dealers, which they called Asian Art Dealers of the Upper East Side, to hold open houses that, collectively, would replace the art fair. At the same time, a half-dozen dealers making up the Japanese Art Dealers Association staged their own show, which has become an annual event.From these beginnings, Asia Week quickly developed into its current hybrid form. “We are not an art fair,” said Carol Conover, the director of Kaikodo Asian Art and the chairwoman of Asia Week. “We are something very different. The intimacy of a gallery is different than being on a floor in a big room.5.Asia Week has prospered in a decade dominated by bad economic news, thanks almost entirely to wealthy Chinese dealers and collectors, whose free spending and deep pockets have led to the first Asia Week in Paris, scheduled for June, and a new branch of Art Basel in Hong Kong, which started on Sunday and will run for three days. “The dominant force is the Chinese buyer,” Mr. Lally said. “They buy 75 to 80 percent of the Chinese art at the auction houses.”And they have been showing up in droves. Francesca Galloway, a London dealer in Indian art showing at W. M. Brady Camp Company, on East 80th Street, put it bluntly: “If you're a collector and you're not here, you're not in the game.”

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